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A well-known pianist and composer of the time, Jelly Roll Morton, referred to that Latin influence as the “Spanish tinge” of jazz.Early in the 20th century, several American musicians adopted the Cuban habanera rhythm (a syncopated four-beat pattern) in their compositions; most notably, St. In the decades leading to 1940, Latin American melodies and dance rhythms made their way farther northward into the United States, while the sounds of American jazz spread through the Caribbean and Central and South America.Musicians and dancers across the entire region became familiar with both musical languages, and the large bands of the swing era expanded their repertory to include rumbas and congas, two types of Afro-Cuban dance music.He joined the Havana Symphony at age 16, while already playing jazz with local groups.In 1930 he moved to New York City, where he played with singer and bandleader Noble Sissle.